Alas, poor Rolf: A Deep Dive of  Mistaken Identity from The Enemy Within, Part 2

As I talked about here, I’m committing to only reviewing RPG products I’ve actually used – so, run or played – and in Part 1 I talked about how I ran and adapted the first part of the classic WFRP Enemy Within campaign. In this part, I’m going to more generally review the adventure, and see what gems we can steal for our own games from it. It’s in Enemy in Shadows, and is available from Cubicle 7 here.

While you’re reading this, I should tell you about my Patreon. Patrons get access to content 7 days before they hit this site, the chance to request articles or content, and the chance to play in one-shot games, for a very reasonable backer level of £2 per month. If you like what you read, want to support the blog, and have the funds for it, please consider supporting here. Telling people about the blog, and sharing links/retweeting is much appreciated also – thanks!

As with Part 1, below is full of spoilers – if you’re still wanting to play it “fresh,” 35+ years after it was first published, you might want to look away now!

Overall, I think this is an excellent adventure, with a few quirks which come from (a) its being written in another age, and (b) being designed to be the opening act of an enormous campaign. It pulls the PCs together well, with an quirky hook that gets them to travel to Altdorf, and then to Bogenhafen, and leave them at a loose end with a reason to stick together and a lot of potential threads to pick up.

Poor old Rolf Hurtsiss has seen better days

The art is consistently fantastic, and the writing manages to tread a tightrope and be both evocative and laugh-out-loud funny at times. In particular, the NPCs are sketched really well, and the character of the places you visit – from the Coach and Horses Inn, to Altdorf, to Weissbruck – really comes across.

Everyone has a name

The first ‘monster’ you meet on the road – the mutant Rolf Hurtsis – is an old acquaintance of one of the characters; but even after this, every character is drawn with a past, and every one is named. The rest of the mutant band – led by Knud – all have names (I made them call out to one another as the PCs – as expected – slaughtered them). Nobody appears on the scene without having a richer and fuller life outside the story they are in, and the world is richer for it; the road warden is tracking down his sister on the road to Altdorf, for example. And, even more so…

Everyone has character

The NPCs are so well drawn in here, it’s worth taking the time to give them some character at the table. I jotted down some of the 7-3-1 technique for each one, although that sometimes led me to “now what does Josef talk like again?” moments, it made their interactions – which are at the centre of this adventure – more interesting.

Playing online, there are a few tricks to make characters stand out. The first is to show their picture (and every NPC in the adventure has great art) when you talk as them – I used “Show to Players” with Handouts on Roll20, but there are lower tech versions like sharing a screen if you’re running without VTT. The second is to overact terribly. I exhausted my limited repertoire of accents after two sessions, but it does help to have Josef talk like a pirate king (Hans Pflaster, the aforementioned roadwarden – was Jason Isaac’s Marshall Zhukov from Death of Stalin, and just as short-tempered) to get a sense of versimilitude. That said…

It can be a bit Carry On

There’s an element of farce to the central conceit – and several of the key scenes – that might take some careful running. There are times when your players might be tempted to back out – when they follow Josef to the pub in Bogenhafen, and it’s quickly obvious they’re in a very dangerous place – so I think setting the tone is important. 

There’s a lot of Long Game Foreshadowing

I’ve never run a game before where I dropped a rumour in the first session that foreshadows Empire in Ruins, the fifth instalment of the campaign that sits maybe 40-50 sessions away. I’ll deal with if they remember the (false as it turns out) rumour then if and when it occurs. I took the approach of, whenever the book gave me a page of rumours, liberally spreading them out to my players, without showing them which were immediately relevant and which were flavour. This seemed to work well, and they’ve not led to too many red herrings yet.

It’s a bit Bait and Switch

Your group may vary with this – but I’d like to think that my players were under no illusions, when they found their lookalike body, that they weren’t actually going to collect 10,000 Crowns. By the time they get to Bogenhafen, and almost everyone they’ve ever associated with has turned up dead, more cautious players might be forgiven for being wary about heading to collect the inheritance. I presented this as if there weren’t many options – and in any case, it couldn’t be more dangerous than that dockside pub in Altdorf, right?

In Summary

It’s great. It’s not really like anything I’ve run before in a fantasy setting, and indeed it stands alone in terms of where its encounters come from. There’s no monsters to fight, or wilderness areas – it’s an entirely urban adventure, really – with a few interludes on canals or roads, but still well within reach of the Roadwardens. Given that it manages to still be terrifying even when in the midst of supposed safety, I’d recommend it to anyone – although tell your GM you’ve read this first so they can switch it up with the Grognard Boxes!

Have you played or run Mistaken Identity? What did you think of it? Let me know in the comments!

Three Terrifying Pubs: A Deep Dive of  Mistaken Identity from The Enemy Within, Part 1

Mistaken Identity is the initial adventure from the Enemy Within campaign for Warhammer Fantasy Roleplay, and acts as a prelude to Shadows Over Bogenhafen, the first adventure proper. In the latest iteration of the campaign, the two are folded together as Enemy In Shadows. Enemy Within has a reputation as one of the “great” RPG campaigns, so I played it through with my Tuesday group – you can get hold of it from Cubicle 7 here.

The first of many mutants in this adventure / campaign, and a former associate of our thief.

While you’re reading this, I should tell you about my Patreon. Patrons get access to content 7 days before they hit this site, the chance to request articles or content, and the chance to play in one-shot games, for a very reasonable backer level of £2 per month. If you like what you read, want to support the blog, and have the funds for it, please consider supporting here. Telling people about the blog, and sharing links/retweeting is much appreciated also – thanks!

In this first part I’ll give you a session-by-session breakdown of how I ran it, including what I changed from the published adventure. In Part Two, I’ll summarise what worked well, and what worked less well – and suggest what can be taken from it for other games. There are, of course, a huge number of spoilers below – if you’re still wanting to play it “fresh,” 35+ years after it was first published, you might want to look away now!

Synopsis

I ran Mistaken Identity over 5 online sessions of between 2 and 3 hours for 4 PCs, with the first session including character generation. The adventure as written has some very useful “Grognard Boxes,” ways to alter the adventure if your players are familiar with it already. I used them to just pick from if it looked more interesting – especially in the first session.

The adventure as written has chapters that are roughly one session long (if you play with a fair lick of pace) – and I’ve written them up below, along with the names I gave each session as part of my prep notes. If Patrons would like sight of my actual prep notes, feel free to get in touch – although I find the writing up of them is more useful to me than reading them, if that makes sense – the process of creating them revises and solidifies the game in my head. I used Roll20 (which has a bit of a fiddly WFRP interface for improving PCs, but it’s too late now for us to switch) and Google Meet for A/V, if people are interested in those things.

You’ll note as you read this that I have a crew of absolutely top-drawer players. In this, my regular Tuesday group, plots are aggressively pursued and roleplay opportunities are harvested from even the least interesting scenes. Situations like one PC not knowing a secret the other three are keeping from them (the player knows, obviously) are handled maturely and leaned into for maximum roleplaying fun – your mileage may vary, obviously – but it’s worth invested in play culture at the table if you want to be able to engage with an adventure like this that’s full of unresolved secrets and bait-and-switches.

Session 1 – The Coach and Horses

After character generation and session zero stuff, they montaged talking to some NPCs at the Coach and Horses and then fought a daemon summoned by one of the patrons.

I completely ditched the structure of the first session in the adventure, which is the coldest of cold opens – some gambling (out of budget for almost all starting characters as written), some meeting strangers who don’t like them – the only action is if and when they catch the gambler cheating. Oh, and we did chargen by the rules – and ended up with human nun, smuggler, and wizard’s apprentice, and a halfling thief.

I quite liked the NPC Phillipe Descartes, so didn’t want him to be an enemy, so had him merely regale them with tales in his outrageous Brettonian accent. Each PC got a single short scene where they made a skill check (usually Gossip) to impress an NPC, and then received 1 or 2 of the rumours supplied. We cut from PC to PC as they did this, before I triggered “The Rival Magus” from the Grognard Box and had a daemon appear.

After they’d fought the demon, of course, they were basically an adventuring party, and we’d got to know the interface and basic rules in session 1. All this took maybe an hour of play after characters were done – it’s my favoured approach for a session zero to get a bit of play in at the end to whet everyone’s appetite.

Session 2 – The Road to Altdorf

They fought a mutant, went further down the road, fought some more mutants, and discovered the adventure’s hook – a body looking identical to one of the PCs, with a will to collect from Bogenhafen and a signed affidavit that the bearer is indeed the long lost nobleman, and instructions to claim his inheritance in Bogenhafen.

I pretty much ran this as described – the players made it more interesting by three of them being in on the identity theft, but keeping it quiet from the fourth – a nun of Myrmidia – as they expected she’d not be in favour. Instead, they told her that Othelbert the apprentice actually was Kastor Leiberung, just travelling undercover to Bogenhafen – and swore her to secrecy.

Session 3 – Welcome to Altdorf

After a confusing encounter with some strangers, and surviving a theft attempt, they caught up with Josef – a boatman and old acquaintance who just happened to be going to Bogenhafen – and went with him on a very dangerous bar crawl. It becomes very obvious that everyone they meet at the moment seems to end up dead very quickly – and they see a shadowy figure tracking them.

I added in a quick chase scene at the start with some pickpockets for two reasons – firstly, to start with some action, and secondly to give a big of the ‘dangerous big city’ vibe. This happened at the same time as the Emperor’s procession, which the module stressed is important later. As they’d all been travelling to Altdorf, they each had a scene where they resolved that – the nun resolved to continue travelling in Myrmidia’s name, the halfling went to his uncle’s pie shop and made contact, the wizard’s apprentice tried to enrol at the university. These gave a bit more verisimilitude and allowed the players to drop their previous lives a bit as they seemed committed to be adventurers now.

The bar crawl I ran as written, with the halfling thief enthusiastically joining in with Brandy Bounce and them using their wits to navigate the situation. The whole bar scene is a great set piece – as they realised just how much danger they were in – and balanced off nicely by several of their NPCs being found dead the next morning.

Session 4 – Come Drown With Me

We were a player down, so with the finale approaching, I ran a fill-in session of Come Drown With Me from One Shots of the Reikland – the three remaining players survived a zombie attack and re-sealed the tomb of Kurgon Three-Eyes while they travelled down the Weissbruck Canal. Testament to how dangerous Altdorf felt that a potential zombie apocalypse was a welcome light relief.

The character art in the adventure is brilliantly evocative – e.g. this portrait of Maria Braund, the highwaywoman who I used as an extra link to the follow-up adventure

Session 5 – No Mister Lieberung, I Expect You To Die

After meeting a highwaywoman and agreeing to do her a favour on the canal, they went onwards to Weissbruck, where they tangled with their pursuer. Evading him, they went on to Bogenhafen – where they realised they’d inherited a setup meant to catch a cultist, and neither the inheritance nor the title were true. As a horrific beast appeared to ‘save’ them in the nick of time, they were left pondering what to do next – luckily, the Schaffenfest is in Bogenhafen, and they had an assortment of plot hooks leading them there!

Maria Braund, the highwaywoman, is from the Enemy in Shadows Companion, and I added her in to give a hanging plot hook to the Schaffenfest for when they arrived – the start of the session also had them avoid a robbery from their fellow riverfolk, who’d heard one of them was a nobleman in disguise. I had Adolfus smoke some distinctive cigarettes so they could tell he’d been around the pubs with them, and he fled when they confronted him and they fought his heavies.

The final scene, while a bit deus ex machina (daemonium ex machina?) is another great set piece – as they watch through the windows the splashes of blood, before finding the body of their pursuer ripped apart.

In Part Two, I’ll summarise what stood out about the adventure, what didn’t work as well, and what tricks and components of it we can steal for future one-shot (or campaign) play. Questions or feedback as always are welcome to @milnermaths on twitter.

Rough Games and Hard Fights – How To Run WFRP (4e) One-Shots

I’ve had a chance recently to run a few one-shots of Warhammer Fantasy Roleplay, at both Furnace and online, and it’s a game with a lot of love from the UK RPG community especially. It’s a great example of grim low fantasy, and as such takes a careful hand to run a satisfying one-shot of it. So, here are my top tips for delivery.

While you’re reading this, I should tell you about my Patreon. Patrons get access to content 7 days before they hit this site, the chance to request articles or content, and the chance to play in one-shot games, for a very reasonable backer level. If you like what you read, want to support the blog, and have the funds for it, please consider supporting here.

Take out the safety net

WFRP is deadly, and brutal. To help ensure their continued existence, PCs have one-shot Fate and Resilience points, that let them cheat death or avoid a mutation respectively. These are very limited-recovery, and are part of the game balance of starting characters (humans get loads of them, elves get very few – but have generally better starting attributes).

In a one-shot, remove these. Keep the per-session resources, Fortune and Resolve – they’ll need them to survive – but take the Fate and Resilience off. When I’ve run it, I’ve asked the players to cross them off their character sheets – this gives (a) a clear message that this game could be deadly, and (b) makes them more conscious of the Fortune and Resolve points which they might want to spend.

Flavour is everything

WFRP is a game of grim, dirty humanity in a losing battle against corruption, goblinoids, and foul magics. Although it’s got its fair share of monsters and traditional antagonists, a lot of WFRP’s aesthetic comes from human failures – even chaos thrives as a result of humanity surrendering to its temptations. The noble houses are corrupt and terrifying while the peasantry toil in back-breaking labour. You get the idea.

With this in mind, use the excellent source material for this – WFRP is not a game that works without the Old World behind it. The publications  from Cubicle 7 are dripping in flavour – use them liberally. If I’d recommend one purchase beyond the core book, I’d go with the Starter Set for a plot hook-sprinkled guide to the city of Ubersreik.

Combat is rare, and dangerous

A bad roll – or a good one – can be the end of a fight, for either side. In a recent con game, the PCs triumphed largely due to their main opponent (a skaven leader) fumbling their attack. It could have gone the other way just as easily. Combat also involves tracking Advantage, which means that once things start to go badly (or well) for a combatant, the odds begin to be stacked in their favour. For Advantage in a F2F game, I used some Campaign Coins – online I’ve used a token that explains what it is as well.

For this reason, outside of the final confrontation of the one-shot, don’t worry about making your combats pushovers. A few humans (WS 30) with a dagger (damage SL+4 for you S 30 thugs) will still feel dangerous for your PCs when one good hit can make a mark on them. For the final confrontation, feel free to throw stuff at them, but bear in mind that numbers (because of the Advantage rule) and size make a big difference to players. I’ve run Slaughter in Spittlefeld three times so far and the final confrontation, with a single underpowered vampire, is consistently perilous.

Use the Published Stuff

WFRP is rare among trad games in that it comes with loads of ready-made adventures that are either one-shots already, or easily adapted.

Night of Blood is a classic spooky inn ‘mystery’ where things start horrific and just get worse – I’ve run this at least three times, and would recommend. In the Ubersreik Adventures supplement, Slaughter in Spittlefeld is the most obvious one-shot for a tight con game – the PCs are locked in a tenement and have to solve it’s problem – but Mad Men of Gotheim and If Looks Could Kill are also great con-length one-shots.

And there’s a pdf-only One Shots of the Reikland supplement, too – I’d suggest these might need framing scenes beforehand to give a satisfying con experience, but it’s usually easier to add than take away. To run Curd Your Enthusiasm, I added a scene at the start where they meet Tomas, their patron, when they both he and one of the PCs are pickpocketed by a pair of thieves in Ubersreik – a chase ensues, and it serves as a good system- and character-intro to get everyone ready for the cheese-based investigations that ensue.

So, WFRP has become one of my go-to one-shot systems, and one I’ll certainly stay with. I keep musing about running the classic Enemy Within campaign – especially now it’s been rebooted by Cubicle 7 – but I think it remains a solid one-shot game, just simple enough – but fun enough – to give a satisfying experience.