Rough Games and Hard Fights – How To Run WFRP (4e) One-Shots

I’ve had a chance recently to run a few one-shots of Warhammer Fantasy Roleplay, at both Furnace and online, and it’s a game with a lot of love from the UK RPG community especially. It’s a great example of grim low fantasy, and as such takes a careful hand to run a satisfying one-shot of it. So, here are my top tips for delivery.

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Take out the safety net

WFRP is deadly, and brutal. To help ensure their continued existence, PCs have one-shot Fate and Resilience points, that let them cheat death or avoid a mutation respectively. These are very limited-recovery, and are part of the game balance of starting characters (humans get loads of them, elves get very few – but have generally better starting attributes).

In a one-shot, remove these. Keep the per-session resources, Fortune and Resolve – they’ll need them to survive – but take the Fate and Resilience off. When I’ve run it, I’ve asked the players to cross them off their character sheets – this gives (a) a clear message that this game could be deadly, and (b) makes them more conscious of the Fortune and Resolve points which they might want to spend.

Flavour is everything

WFRP is a game of grim, dirty humanity in a losing battle against corruption, goblinoids, and foul magics. Although it’s got its fair share of monsters and traditional antagonists, a lot of WFRP’s aesthetic comes from human failures – even chaos thrives as a result of humanity surrendering to its temptations. The noble houses are corrupt and terrifying while the peasantry toil in back-breaking labour. You get the idea.

With this in mind, use the excellent source material for this – WFRP is not a game that works without the Old World behind it. The publications  from Cubicle 7 are dripping in flavour – use them liberally. If I’d recommend one purchase beyond the core book, I’d go with the Starter Set for a plot hook-sprinkled guide to the city of Ubersreik.

Combat is rare, and dangerous

A bad roll – or a good one – can be the end of a fight, for either side. In a recent con game, the PCs triumphed largely due to their main opponent (a skaven leader) fumbling their attack. It could have gone the other way just as easily. Combat also involves tracking Advantage, which means that once things start to go badly (or well) for a combatant, the odds begin to be stacked in their favour. For Advantage in a F2F game, I used some Campaign Coins – online I’ve used a token that explains what it is as well.

For this reason, outside of the final confrontation of the one-shot, don’t worry about making your combats pushovers. A few humans (WS 30) with a dagger (damage SL+4 for you S 30 thugs) will still feel dangerous for your PCs when one good hit can make a mark on them. For the final confrontation, feel free to throw stuff at them, but bear in mind that numbers (because of the Advantage rule) and size make a big difference to players. I’ve run Slaughter in Spittlefeld three times so far and the final confrontation, with a single underpowered vampire, is consistently perilous.

Use the Published Stuff

WFRP is rare among trad games in that it comes with loads of ready-made adventures that are either one-shots already, or easily adapted.

Night of Blood is a classic spooky inn ‘mystery’ where things start horrific and just get worse – I’ve run this at least three times, and would recommend. In the Ubersreik Adventures supplement, Slaughter in Spittlefeld is the most obvious one-shot for a tight con game – the PCs are locked in a tenement and have to solve it’s problem – but Mad Men of Gotheim and If Looks Could Kill are also great con-length one-shots.

And there’s a pdf-only One Shots of the Reikland supplement, too – I’d suggest these might need framing scenes beforehand to give a satisfying con experience, but it’s usually easier to add than take away. To run Curd Your Enthusiasm, I added a scene at the start where they meet Tomas, their patron, when they both he and one of the PCs are pickpocketed by a pair of thieves in Ubersreik – a chase ensues, and it serves as a good system- and character-intro to get everyone ready for the cheese-based investigations that ensue.

So, WFRP has become one of my go-to one-shot systems, and one I’ll certainly stay with. I keep musing about running the classic Enemy Within campaign – especially now it’s been rebooted by Cubicle 7 – but I think it remains a solid one-shot game, just simple enough – but fun enough – to give a satisfying experience.

Low Fantasy RPGs – Part Two

In the last post, we looked at some of the options for Low Fantasy gaming – here are three more if you want some one-shots where magic is awful and terrifying, and the players are rooted in mud.

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Wolves of God

Cleanse yourself of any lingering anti-Saxon sentiment from Pendragon with this Sine Nomine game from Kevin Crawford where you play brave Saxons exploring Roman ruins and skirmishing with the Welsh in England. With a system that’s sort of OSR-based, with some heavy shifting, it’s well grounded in the setting and you can feel the mud seep off it.

Pros: It’s a straightforward system, and the game comes with loads of tables and guidance for populating a low fantasy sandbox – applicable to any of the games we’ve talked about.

Cons: For the one-shot, Sandboxing is tricky – you want to add some structure and plan to the exploration to prevent any turtling or getting stuck in a rut. Get them rescue a lost herdsman from the Roman ruins, or parlay with the Wealh to defend your common lands from the undead. Kevin Crawford’s stuff deserves a future post about this, after I’ve run some one-shots with his system.

Warhammer Fantasy Roleplay

This is one of the originals, and a heavy touchstone for TTRPG gaming for any (especially British) gamers of a certain generation. With 4th ed, there’s a system that works well for one-shot play, and it’s a brilliantly realised world that manages to be quasi-European without being awful. There’s even a review of 4th edition on this very blog.

Pros: There’s loads for this – including loads of one-shots already done, some of which are awesome. Night of Blood is great, there’s a .pdf of One-Shots (soon to be reviewed here), and lots of resources even for previous editions that are easily adapted. Tons of art, rich lore and a rich history are all there to help you.

Cons: It’s greatest strength is also its greatest weakness – it can be difficult to make a WFRP game feel new, when there are so many already out there. It can get a bit Monty Python, as well – such a commonly referenced touchstone can be hard to make serious. Personally, I’m not a fan of comedy *orcs or chaos cultist conspiracies, either (largely due to them being overdone in WFRP) – there’s plenty more to use here, so look a bit further away from the “classic” antagonists.

Wolf’s Head

This is a FATE World, set in feudal Britain with no magic in it as written – but it’s super easy (it’s FATE, after all) to add evil sorcerers and savage beasts roaming through Norman England alongside the oppressive authority the game is based around. Lean into this by making the Baron have all the cards where magic and weirdness is concerned, thus keeping to the theme of it being a terrifying and inaccessible practice.

Pros: It’s heroic and easily modded. I see this as a basis for a wide range of semi-Historical low fantasy games, and FATE is a great ruleset for mixing it up (see advice for running it as a one-shot here).

Cons: Alone, there’s not as much fluff as you might want – you’ll have to use other sources (or other games on this list) as sources if you run out of inspiration.

So, a selection of six RPGs you can use to bring the mud and guts into your games. Next week, we’ll look at low fantasy-ing a more traditional fantasy RPG, to bring some of the feel for this into a more high fantasy game, and the advantages that gives a one-shot. What have I missed off? Message me on Patreon, or on twitter @milnermaths, to make your suggestions!

Low Fantasy RPGs – Part One

In this previous post, I gave some general tips for making low-fantasy one-shots memorable and exciting. I’m going to begin some reviewing of the systems you can use for this sort of play now, beginning with a mixture of big hitters and lesser-known systems.

I’m sure that some of the ideas here will provoke cries of “that’s not low fantasy!” from commentators – I’m using a broad definition that basically just limits the PC access to fireball spells. For each game I’ve given a brief overview of how I think it’ll work for a one-shot, long with some pros and cons.

Pendragon

See my post on historical gaming here – in Pendragon, a game from the days of the grognards that has aged amazingly well, you’re Cymric knights gallivanting around England solving problems.

Pros – it’s a big touchstone, not just as a genre but as a game, and there are easy hooks to get the players involved (e.g. your Lord tells you to do it). Everyone playing knights is less of a problem than you might think, and there’s a funky Passions system that lets you do emotive stuff as well

Cons – a lot of the depth of Pendragon is in ongoing play, watching your Passions etc go up and down. While there’s a huge library of published material for it, most will take some solid adapting to make them really sing as a one-shot.

Romance of the Perilous Lands

A Black Hack-inspired romantic fantasy game, while there are playable wizards they’re much more embedded in the setting than in traditional D&D, and the quasi-historical setting means you’ll be getting muddier than you might expect.

Pros – simple, quick system that gives players plenty of options while remaining easy to grasp in a one-shot. Nice range of character options give some niche protection.

Cons – it might end up being a bit too heroic if you’re heart is set on full-on low fantasy.

Cthulhu: Dark Ages

A supplement for the classic horror game that takes you into the 12th Century, with all kinds of scary cultists, goat-headed hermits and stuff

Pros – a really straightforward system that still gives enough depth in resolution – the book also comes with great setting material and sample adventures that would be brilliant one-shots right out of the box.

Cons – I mean, really, it’s a horror game. Pick the right archetypes and I think you’ll have a lot of fun with this though, and there’s only a tentacle-width between grim fantasy and apocalyptic horror after all.

Next time, another 3 systems for low fantasy gaming – and after that, guidance on hacking D&D5e to make it a grim and gritty low fantasy system. Easier than you might think, I’d imagine.

What are your go-to systems for low fantasy gaming? Any you’d like to see my thoughts on? Let me know in comments.

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