Avatar Legends: A New Approach to Session Zero?

There’s a lot of buzz around Magpie Games’ PBTA Avatar Legends game – the usual stuff of people sharing their new kickstarter deliveries. It’s certainly a pretty game, but I managed to get session zero in with our regular Friday group the evening it arrived – and the session zero guidance is not only really interesting, but also easy to adapt to other games and systems.

While you’re reading this, I should tell you about my Patreon. Patrons get access to content 7 days before they hit this site, the chance to request articles or content, and the chance to play in one-shot games, for a very reasonable backer level of £2 per month. If you like what you read, want to support the blog, and have the funds for it, please consider supporting here. Telling people about the blog, and sharing links/retweeting is much appreciated also – thanks!

Avatar the what?

The game is an officially licensed RPG for the Avatar: The Last Airbender show, including Legend of Korra. If you’ve never heard of it before, they’re excellent shows, and although Avatar is aimed at kid, don’t let that put you off. It’s a fantasy-ish land where people from different lands can ‘bend’ elements to their advantage – so you have firebenders shooting gouts of flame, waterbenders skating around on sheets of ice, that sort of thing.

It’s heroic fantasy, and it suits PBTA well, as it’s as much about beliefs and principles as it is about cool fighting moves. In the game each playbook has a series of contrasting principles that can get shifted during the game (a lot like Mask’s stats) – so when The Icon’s Role principle goes up to +2, his Freedom drops to -2. Ever go more than +3/-3, and you suffer a crisis of confidence, probably leaving the scene, before it resets. There’s a funky combat system of stances and moves too, which I’ll write more about when I’ve seen it in action – it’s definitely second-gen PBTA with a bit of heft to the rules.

Session Zero

Before chargen, or even before players pick their playbooks, you make a few decisions. The first is to choose what Era you play in, and then what the campaign’s Scope is – is it set around a given area, or is it a picaresque game where you visit a new land every session. We went with the first era, Kyoshi, since there’s not much canon about it, and the players were keen for a narrow, but non-urban, scope – allowing recurring NPCs and locations to appear. So far, pretty standard session zero stuff.

You then pick your Group Focus – what you got together to do. Options range from “To Defeat [dangerous foe]” to “To Learn [idea, culture, training, history]” – we went with “To Protect…” and decided we wants to protect a village, since we’d thrown out some ideas about a bucolic, pastoral setting – a few of us in the groups have played fantasy city campaigns recently. Quickly, our group role becomes apparent, and we’ve got our village sketched out as well – Peony Blossom Falls, a village at a vital commercial crossroads that’s always the target of bandits.

I wasn’t too sure about this step initially – it felt like we were deciding from a blank slate – but the players had good ideas and some stuff just made sense immediately – we were unlikely to be picking “To deliver…” or “To rescue…” with a limited scope, and player ideas got built on by each other. One player realised it was very much like picking your Crew playbook in Blades in the Dark – it lets you decide what sort of stuff you’ll be doing – and gives the GM a big steer on what each session might look like.

The Inciting Incident

This is the bit that I’ve not seen before. As a group, you pick from a few options to decide the adventure that drove your PCs to adventure together. There are a few options for each of Act I, II, and III, which for me provided just enough of a framework to work it out. 

I added more structure and left it entirely to the players too – the first player picked the phrase (In our case for Act I “We did something fun, but drew the ire of [powerful figure] in the process”), the next player identified a specific from that (what the fun thing was), the next player who the powerful figure was, then on to Act II.

What did we end up with? Well, our heroes partied too hard in the waterfalls of Peony Blossom Village, drawing the ire of Fenfang the Magistrate before the Peony Blossom Festival. During the festival they stole a secret scroll of bending from Meng Shou, a wandering Fire Nation hero – without realising how valuable it was – but were rescued by Fenfang when he offered them a deal – defend the village for a year and a day, and their penance is served.

As a GM, this is brilliant. I’ve got just enough to see how the campaign will start – we talked about bandit gangs troubling the village, but they haven’t even appeared yet. What has appeared are two sort-of-antagonists who could be allies or enemies – Fenfang and Meng Shou – who are both tricky to deal with either socially or in combat. The first session almost writes itself from this prep!

Why It works

No hierarchy or player / GM split – I like that there aren’t really defined rolls for players and GMs in the procedures. You’re all just a group deciding what you’re going to do. I’d imagine that GM probably still has veto, but we didn’t really need it. It’s easy for the GM to set some parameters at the start (I’d picked the era, for instance) and then have players work within those boundaries.

No dice, not too fiddly – the process of the Inciting Incident doesn’t just plan your previous adventure, and give some idea of where the characters fit together – it also helps to plan the actual first session. With the consequences of their actions to work from, we can get into some drama immediately – which is often an issue with PBTA where you either jump into face-stabby blood opera or slow-burn around NPCs until somebody blinks.

Eras break the setting into manageable pieces – eras are a great idea to make a rich, fully detailed setting work at the table. There’s 63 pages of setting detail in the World of Avatar chapter – but I only really need to grasp about 12 of them, for the era we’re in. Each Era doesn’t just describe what’s happening and where nations are in their histories, but also what the key themes and stories you can tell in that era are – meaning you can grasp very quickly which one takes your fancy.

In summary, I’m really pleased with this approach, and I think it’s easily ported to any system or setting to add detail to a session zero and set your campaign in motion. I’ll be considering it with other games in the future. What approaches have you seen for session zeroes? Let me know in the comments.

Running Feng Shui One-Shots

I’ve recently managed to get Feng Shui 2 to the table at a few conventions – Summer Kraken and Grogmeet to name two – and it’s reminded me what an excellent one-shot game it is. It’s a game of high-gonzo Hong Kong action movies, and it leans heavily into the genre allowing players to have a great time pissing about with tropes and scenes.

It’s also a relatively complex beast for what it is, and there’s some nuance to how to approach it – so here are five tips for prepping and running one-shots. If you don’t want to prep it, feel free to snag one of the demo games from Atlas Games website, or Ape Attack! from this blog.

While you’re reading this, I should tell you about my Patreon. Patrons get access to content 7 days before they hit this site, the chance to request articles or content, and the chance to play in one-shot games, for a very reasonable backer level of £2 per month. If you like what you read, want to support the blog, and have the funds for it, please consider supporting here. Telling people about the blog, and sharing links/retweeting is much appreciated also – thanks!

Make Fortune Dice Explode

Rules as written, spending a Fortune point gives you a non-exploding extra dice. I’ve tried it both ways, and for a one-shot it really works better if these explode – the chance of your negative dice exploding and the Fortune being wasted leads to some player disappointment. It does increase player effectiveness a bit, but encouraging Fortune point use is all good, and it leads to some big results.

Pick a Small Selection of Archetypes

There’s no character generation in Feng Shui, which saves the pregen stage of one-shot prep, but it’s worth trimming down the archetypes you offer your players – you don’t need more than a couple more than the players you have, and it’ll help you to be familiar with any of the special rules they have. After the players have picked, make them decide on their names and melodramatic hooks there and then – and then go into a montage opening of a previous film. 

Ones to be careful with are the Big Bruiser (who hits hard and can take a beating, but often acts last in the initiative system) and the Killer (whose mook-killing power means they might be acting frequently as long as the player targets mooks). Also note that the Sorcerer (which is an excellent choice as it has some healing ability) has a default power that lets them use any Sorcery schtick in the book, which you might want to change depending on the player. I’ve always avoided the Driver as I’m not the biggest fan of the Chase rules, but feel free if you want to use them.

Pick a Just One Juncture

There’s 4 main settings in the core rulebook, and a bunch of pop-up junctures… you don’t have to use more than one. Most of my one-shots cover two, and one of them is modern-day – either starting in a normal setting and travelling back in time to a juncture to solve problems, or starting in the past and ending up in the present day. Just one juncture is fine, and getting there via a Netherworld trip is fine if you must, but there’s enough in each of them to make them solid one-shot settings.

In Play, Model Descriptive Action

Feng Shui 2 isn’t a game where “I try to hit him” will work. You need the players to describe awesome hijinx and fight scenes, so you need to lead from the front with this and encourage them to do the same. Feel free to go as big as you can – destroy scenery, break the fourth wall, have your villains monologue.

Another trick that works for me is to describe the action as if it’s a terrible movie – having the mooks in the second fight be played by the same extras as in the first, or the same three extras play all 30 street thugs in the big mook fight. Describe the music starting up, the framing of shots, the shonky camerawork. All this works well in other pulpy high-action games too, of course – it’s just it especially works in Feng Shui.

Do Initiative Verbally

Look, I know that Atlas Games produces a shot counter you can put trackers on to show when people next go – I just find having that in the middle of the table a bit cluttered. At the start of the first fight, briefly cover Feng Shui’s distinctive initiative system, and tell players that their attacks will take 3 shots – and then just count down yourself and have them shout out when it’s their go.

While I wouldn’t use the shot counter, I would recommend using the pre-rolled attack pages for mooks, and also pre-rolling initiatives for each sequence (you can see what I mean by this in Ape Attack). To be honest, I’ve started pre-rolling initiative for all of my one-shots where I can – it’s certainly one thing I can do ahead of time in games.

Make Fights (A Little Bit) Easier

The Feng Shui advice for prepping sessions is golden one-shot plotting advice, but I’d caution that their battle balance is designed for quite meaty fights with players who know what they’re doing. You won’t get through 3 full-strength fights in a one-shot game, particularly as the first one will be slower as the players get used to their abilities. I usually go with fights with just two or three featured foes and a bunch of mooks, or all mooks, until the end boss fight, and even that doesn’t have to have quite as many featured foes as the system suggests. 

If you want a boss or featured foe to be ‘sticky’ and not vulnerable in the first sequence, give them the Ablative Lackey schtick where they can sacrifice a mook to avoid damage (and make sure you’ve got a ready supply of mooks, especially if the Killer is in play).

And, one of the ‘connective tissue’ links between fights can, and should, be a 13th Age style montage – I’m fond of this for trips through the Netherworld, far future desert treks, or sinister caves in Ancient china.

So, I hope this inspires you to run more Feng Shui 2 one-shots, at conventions or just as a break from regular gaming – it’s a great system that deserves to get more play.

APE ATTACK! – a Feng Shui 2 One-Shot

Something I’m determined to do more of is post some ready-to-run one-shots here. So, here’s one that might not be quite ready to run without some system (and setting) mastery, but might give some interesting insight into the creative process. This is at a level slightly above the ‘back of a cigarette packet’ level of prep that I’d do for a convention game – I ran this at Kraken 2022, and I’m sure I’ll get to run it again.

Of note:

  • I don’t list interesting things that can happen in each fight, as recommended in the core rules. I find that if I have a complex, messy enough setting for the fight, and clear permission for the players to make shit up, they fill in the blanks well enough
  • You’ll see that the stats (and pre-rolled initiatives) for the opponents take up quite a bit of space on the page; this is deliberate, as this is what I’ll be looking at in play.
  • If this looks like a series of fight scenes held together by a paper-thin plot and some bad ape puns, you’d be right. There’s a future post coming about running Feng Shui 2 one-shots, and I’d recommend leaning in to both Robin Laws’ excellent prep advice, and the pulpy ridiculousness of the whole setting.
  • If game balance is your jam, this was for 5 players using standard FS2 archetypes. I tend to reduce down the number of opponents for all but the final battle, just because in a con game you want fights to be pretty fast (and the default for FS2 is hard-ish; so you want some easy-ish fights as well)

While you’re reading this, I should tell you about my Patreon. Patrons get access to content 7 days before they hit this site, the chance to request articles or content, and the chance to play in one-shot games, for a very reasonable backer level of £2 per month. If you like what you read, want to support the blog, and have the funds for it, please consider supporting here. Telling people about the blog, and sharing links/retweeting is much appreciated also – thanks!

Enjoy! Kudos to my “playtesters” at Kraken, and let me know if you get any play out of it!

Ape Attack!

There is an ancient battle across the junctures for control of Feng Shui sites, which give unimaginable power. From 1st-century China, to 19th century China, to modern Hong Kong, to a devastated future, time-shifting Chi Warriors fight to keep enough of these under control to keep the Chi War in a delicate balance.

You are such warriors! As the music swells up, describe your character in an action scene from the previous mission.

Scene 1 – PARIS, present day

That mission was a great success, and you’re now taking some well-earned downtime in Paris – city of Love! You’re all sat around the general area of the Eiffel tower – are you sipping coffee, or wine, or maybe visiting the attractions? Where are you in the scene?

As you relax, a loud crack sounds – and you see an eruption from the ground. It’s a portal – and from it, you see a pair of cobbled-together WWII planes, piloted by apes, fly up to the Tower, as a huge beast claws its way out of the ground – a giant ape, with a cybernetic arm! They slowly begin an assault on the Eiffel tower as tourists scream for help. Taking in the situation, you see several of the Parisiens around you remove their faces – to reveal they are actually apes in disguise! Gunfire peels out – what do you do??

Initiative Rolls

FOES1S2S3S4
Messerschmidt9131211
Giant Gorilla1291211
Apes7696
Sorcerers9610

Featured Foe – Gorilla Messerschmidts (there are two, but one is taken out at the end of the first sequence by the sorcerers)

GUNS 14 / DEF 14 / TOU 6 / SPD 8 Machinegun 11

Featured Foe – Giant Gorilla

CREATURE 14 / DEF 11 / TOU 6 / SPD 6 Ape-arms 11

Furious Wrath – if last attack missed, gains +1 Attack and +3 Damage

ATK 8 / DEF 13 / SPD 5

Mooks – At the start of the scenario, 5 Gorillas are engaging the PCs (dam 10)

After Sequence 1, 5 more Gorillas take off their gorilla masks to reveal Ancient sorcerers! (dam 9)

In the aftermath, they can take stock of what has happened – they know the Eiffel tower is a Feng Shui site, and anyone with any magical connection will know that, although that assault was unsuccessful, the Feng Shui site isn’t connected to the Dragons any more – they’ve already got hold of it!

Scene 2  – INVESTIGATION -> FIGHT!

There’s a portal to a pop-up juncture somewhere in Paris that will lead them to the site of the original assault – estimated to be Paris 1889, in the middle of the Belle Epoque, when the Eiffel Tower was being built!

EVENTUALLY, their investigations will throw up two leads – a recent circus has arrived on the outskirts of Paris with many performing chimpanzees, and men in gorilla suits – some of whom have been seen asking questions about the Eiffel tower. At the same time, a group of men in odd robes with high-pitched voices have based themselves in the luxury Art Deco Four Seasons hotel (google it) and have been hanging around the Tower.

Whichever lead they follow, there’s a fight on their hands to discover the portal(s) – there’s one in each location!

This is an all-mook fight. In order for this to work, you will have 25 mooks stationed around and  about the general area – in the circus, one PC can be fighting apes on the Dodgems while another climbs the Ferris wheel to try and catch their leader. In the Hotel, while some PCs might head up to their room there will be disguised sorcerers in the restaurant and kitchen – and even the streets outside – to fight.

FOES1S2S3S4
APEs or SORCERERs91198

APEs or SORCERERs (mooks) –

ATK 8 / DEF 13 / SPD 5 either Blast 9 or Improvised Circus Stuff 9

Scene 3 – Into the Netherworld

MONTAGE through the Netherworld to get to the Belle Epoque

Use the 13th Age Montage method for this, pointing out that multiple junctures can be crossed to get to the Belle Epoque.

Scene 4 – Belle Epoque Paris!

You need to sneak into the opening of the Eiffel Tower, and defeat the apes. As you approach, you see an exhibit from the Paris Zoo has been delivered, full of chimpanzees and monkeys clad in hilarious human clothes, juggling and having hijinx. A bespectacled man, Erik Satie, plays impressionistic music on his piano. 

Satie pauses, and acknowledges you as he continues to play

You’re too late – we have the area surrounded. Literally everyone in this exhibition is ready to seize control of the tower.

The humans dancing and watching pull off their human faces and are revealed to be monkeys. The apes in the exhibition pull off their monkey faces and are human sorcerers!

FOES1S2S3S4
KONG1213119
Furious G1010119
Grenadier1210812
Satie9131112
Gorillas101078
Sorcerers116118

Boss – KING KONG (massive gorilla)

CREATURE 17 / DEF 13 / TOU 8 / SPD 7 Ape-arms 14

Back to the Wall – if attacked by more than 1 character in a sequence, shot cost drops to 2 until the end of the sequence

FF – Furious George

SCROUNGETECH 14 / DEF 12 / TOU 7 / SPD 7 Metal bite 11

Furious Wrath – if last attack missed, gains +1 Attack and +3 Damage

FF – La Grenadier, explosives expert, ape disguised as human

SCROUNGETECH 14 / DEF 12 / TOU 7 / SPD 7 Boom-gun 11

Explosive Vest – all nearby heroes take a smackdown of 12 when the foe goes down

FF – Erik Satie, eunuch sorcerer

SORCERY 13 / DEF 13 / TOU 5 / SPD 7 Blast 10

Anti-Tech – +1 Def vs. Guns, Scroungetech and Mutant powers

Mooks

ATK 8 / DEF 13 / SPD 5

1H = 8 Gorilla flappers (Guns 10)

1H = 8 sorcereous cabals (Blast 9)